1- Observations
Her social origin is unknown, but the cognomen Acte was frequent among slaves, so that was probably her status until she became a freedwoman and, later, a woman of great relevance in the life of the city, as evidenced by several archaeological finds. A statue of Viria is preserved in La Almoina Archeological Museum as well as several inscriptions with her name in Valencia. One of these honorary inscriptions on one of the pedestals reads:
Viriae Acte / Ampliatus / qui fabricae / arar(um) et / signorum / praefuit / et Callirhoe / et lib(erti).
"Ampliato, foreman of the workshop of arums and statues, and Calirroe and the freedmen to Viria Acte."
2- Context
One of the key factors that led to the greater independence of Roman women in the imperial period was their ability to own and manage their own money.
The epigraphy of Roman Hispania in the 2nd century offers numerous examples of professions carried out by women who were also, in some cases, owners of their own businesses. To cite just a few names, we can find wet nurses (nutrices), such as Secundilla (Gades) or Clovatia Irena (Emerita Augusta); hairdressers (ornatrices), such as Philtates (Lucus Augusti, Lugo) or Turpa Thyce (Gades); menders (sarcinatrices), such as Latinia Da[.... ] (Corduba); professionals related to the production, dissemination and trade of olive oil, especially in Baetica, such as Accilia Felicissima, Caecilia Charitosa, Cornelia Placida or Caecilia Trophime, among many others; owners of land in production, such as C. Plancia Romana (Fiñana, Almería) or Aurelia Iuventiana (Arauzo de Torre, Burgos); owners of artisan workshops of all kinds _from gilding, textile and footwear workshops to the manufacture of marble pieces, like our Viria Acte _, such as Aurelia Vivia Sabina (domina fabricae marmorariae) (Terena, Portugal), Cornelia Cruseidis (domina inauratoris) (Tarraco) or Valeria Severina, who was also patroness of the guild, (domina fabricae textilis et calceamenti) (Segisama Iulia, Burgos) to women who practised medicine and obstetrics, such as the Hispanic Julia Saturnina (Emerita Augusta) or later women, such as those belonging to other times and places, Primila, Empiria and Venuleya Sosis, qualified as medici; Salustia Ateneis, obstetrix; Naevia Clara, medicaphilologa or Aurelia Alexandra Zozima, cited ‘for her medical knowledge’.
We also find other professions: caementarius (bricklayer): Iulia (Conimbriga, Coimbra); purpuraria (manufacture of purple): Baebia Veneria (Gades); lintearia (weaver or linen merchant): Fulvia (Tarraco); pictor or pistor (painter or baker): Caecilia M [...] (Maresme, Barcino), etc.
